![]() ![]() While she never abandoned her roots in bossa nova, her self-actualization as a singer became crucial to a series of albums released in quick succession: Veloso's self-titled LP from 1968, on which Costa guests 1969's Gal and then Costa's self-titled album in 1969. ''I didn't study music, and I don't read music I sing by feeling.'' ![]() Costa's sweet coo remains on "Baby," a sweeping song that would become her calling card, but in those lush string arrangements her voice also became a sharp instrument capable of cutting through the beauty.Ĭosta was self taught, with ''no professional training at all,'' she told the New York Times in 1985. But by 1968, she was a featured singer on the collaborative compilation Tropicália: ou Panis et Circencis, not only an introduction to these artists but a manifesto that challenged prevailing structures of popular culture and politics. Costa and Veloso's 1967 debut Domingo was steeped in bossa nova, which was then riding critical and commercial success in and outside of her country - there's an airiness to her voice that reflects the soft affectation of the era. ![]()
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